| Education |
|
| |
|
| 1993-1994 |
Motley Theatre, Design Course under Margaret Harris and Allison Chitty |
| 1989-1991 |
Wimbledon School of Art, Degree in costume design |
| 1988-1989 |
Worthing College of Art, Theatre Design |
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| Awards |
|
| |
|
| 2007 |
Greenroom Award for best design in dance for Symphonie Fantastique The Australian Ballet |
| 2006 |
Nominated for NRC Handelsblad publieksprijs Bloedband Orkater Theatre Orchestra |
| 2004 |
Nominated for NRC Handelsblad publieksprijs Ik Orkater Theatra Orchestra |
| 2000 |
Winner of Reumert Prix for best opera production of the year Cosi Fan Tutte Aarhus Opera |
| 1999 |
Winner of best dance production of the Year, R.A.M by The Stuttgart Ballet |
| 1996 |
Benois de la dance Award for best scenography in dance Le Jour Même Opera de Lyon |
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| Projects |
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| 2025 |
|
|
| – Dresscodes |
Paleis het Loo, Apeldoorn |
exhibition design |
| – Brancusi |
H’ART Museum, Amsterdam |
exhibition design |
| – Nieuw Licht – De Ploeg |
Groninger Museum, Groningen |
exhibition design |
| – Ongekend Talent… |
Museum Het Schip, Amsterdam |
exhibition design |
| – Thuis bij Ter Borch |
Museum De Fundatie, Zwolle |
exhibition design |
| – In Flux |
Choreography: Juanjo Arqués, Het Nationale Ballet, Amsterdam |
set and costume design |
| – Grimms Reisen |
Choreographer Wubkje Kuindersma & Dominique Dumais, Würzburg Ballet |
set and costume design |
| – Prometheus |
Choreographer Krzysztof Pastor, Polish National Ballet, Warsaw |
set and costume design |
| |
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|
2024
|
|
|
| – Marianne von Werefkin |
Museum de Fundatie, Zwolle |
exhibition design |
| – Persephone |
choreographer Rena Butler, Het Nationale Ballet, Amsterdam |
costume design |
| – Mode jaren ‘20 |
Utrecht Centraal Museum, Utrecht |
exhibition design |
| – 450 jaar Optochten |
Museum Lakenhal, Leiden |
exhibition design |
| – Porseleinkoorts |
Keramiekmuseum Princessehof, Leeuwarden |
exhibition design |
| – A Kiss to the World |
choreographer Dominique Dumais, Ballett am Rhein, Düsseldorf |
set and costume design |
| – Opera Forward Festival |
supervising students scenography AHK, Amsterdam |
teaching scenography |
| |
|
|
| 2023 |
|
|
| – Full Frontal |
choreographer Juanjo Arques, Het Nationale Ballet, Amsterdam |
set and costume design |
| – Echoes of VAN GOGH |
choreographer Wubkje Kuindersma, West Australian Ballet, Perth |
set and costume design |
| – Bolero |
choreographer Krzysztof Pastor, Rome Opera Ballet, Rome |
set and costume design |
| – Resonance of Dreams |
choreographer Wubkje Kuindersma, Ballet Kiel |
set and costume design |
| – Requiem for a Rose |
choreographer Annabelle Lopez Ochoa, The Royal Ballet, New Zealand |
set and costume design |
| – Hier zit niemand op te wachten |
directed by Judith Faas, Orkater & BonteHond |
concept design |
| – Opera Master |
Sandberg Instituut, Amsterdam |
teaching, lectures scenography |
| – Opera Forward Festival |
supervising students scenography AHK, Amsterdam |
teaching scenography |
| |
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|
| 2022 |
|
|
| – Aida |
directed by Shirin Neshat/conductor, Alain Altinoglu, Salzburger Festspiele |
costume design |
| – Alice im Wunderland |
choreographer Dominique Dumais, Würzburg Ballet |
set and costume design |
| – Koninklijk Borduren |
Textielmuseum, Tilburg |
exhibition design |
| – Anatomy of Light |
choreographer Wubkje Kuindersma, Het Nationale Ballet, Amsterdam |
set and costume design |
| |
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|
| 2021 |
|
|
| – Prometheus |
choreographers Wubkje Kuindersma, Ernst Meisner en Remi Wörtmeyer, HNB |
set and costume design |
| – Maison Amsterdam |
curator Nienke Bloemberg, Nieuwe Kerk i.s.m. Amsterdam Museum, Amsterdam |
exhibition design |
| |
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|
| 2020 |
|
|
| – Bruno Taut |
(De fantasie voorbij) Curator Nadia Abdelkaui, Museum Het Schip Amsterdam |
exhibition design |
| – Spectrum |
choreographer Juanjo Arques, Ballet Deutsche Oper Am Rhein, Düsseldorf – Duisburg |
set and costume design |
| – In Light and Shadow |
choreographer Krzysztof Pastor, West Australian Ballet, Perth |
set and costume design |
| – Manoeuvre |
choreographer Juanjo Arques, Het Nationale Ballet |
set and costume design |
| – Opera Forward Festival |
supervising students scenography AHK, Amsterdam |
teaching scenography |
| |
|
|
| 2019 |
|
|
| – Do not Go Gentle |
choreographer Krzysztof Pastor, The Polish National Ballet |
set, costume and video design |
| – Luco Giordano |
Meesterwerken; Aartsengel Michael van Luca Giordano, Nieuwe Kerk Amsterdam |
exhibition design |
| – Muttersprache |
choreographer Dominique Dumais, Wurzburg Ballet |
set and costume design |
| – Opera Forward Festival |
supervising students scenography AHK, Amsterdam |
teaching scenography |
| – Fashion Statements |
curator Marian Duff, Amsterdam Museum |
exhibition design |
| – Echnaton, Philp Glass |
regie/choreographie Giuseppe Spota , Dortmund Opera |
set and costume design |
| – Ignite |
choreographer Juanjo Arques, Het Nationale Ballet/Holand Festival |
set and costume design |
| |
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|
| 2018 |
|
|
| – Last Resistance |
choreographer Annabelle Lopez Ochoa, Music Wende Snijders, Nationale Ballet |
costume design |
| – Don Giovanni |
director Demis Volpi, Weimar Opera |
set and costume design |
| – Our Chopin |
choreographer Krzysztof Pastor, The Polish National Ballet |
set and costume design |
| – Bluebeard’s Castle |
director Kael Csaba, The Lithuanian National Opera and Ballet, Vilnius |
costume design |
| – The Miraculous Mandarin |
choreographer Krzysztof Pastor, The Lithuanian National Opera and Ballet, Vilnius |
costume design |
| – Opera Forward Festival |
supervising students scenography AHK, Amsterdam |
teaching scenography |
| – Ignite |
choreographer Juanjo Arques, Birmingham Royal Ballet |
set and costume design |
| |
|
|
| 2017 |
|
|
| – Verboden Porselein |
Museum Prinsenhof, Delft |
exhibition design |
| – Aida |
directed by Shirin Neshat/conducter, Ricardo Muti, Salzburger Festspiele |
costume design |
| – Death in Venice |
choreographer Krzysztof Pastor, Lodz Opera house, Poland (canceled) |
set and costume design |
| – Murder on the Orient Express |
choreographer Demis Volpi, Juniorballett at Ballett Dortmund |
set and costume design |
| – Bol & Flinck |
Rembrandt meesterleerlingen, Museum Het Rembrandthuis en Amsterdam Museum |
exhibition design |
| |
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|
| 2016 |
|
|
| – Naked |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim |
set and costume design |
| – The Tempest |
choreographer Krzysztof Pastor, The Polish National Ballet, Warsaw |
costume design |
| – Romeo & Julia |
choreographer Krzysztof Pastor, The Joffrey Ballet, Chicago |
set and costume design |
| – Romeo & Julia |
choreographer Krzysztof Pastor, The Lithuanian National Opera and Ballet, Vilnius |
set and costume design |
| – Anna Palowna |
Paleis het Loo, Apeldoorn |
exhibition design |
| – Bolero |
Choreographer Krzysztof Pastor, The Polish National Ballet, Warsaw |
set and costume design |
| – My desert my Rose |
Choreographer Dominique Dumais, Ballet Augsburg |
costume design |
| |
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| 2015 |
|
|
| – Willem II |
Paleis het Loo, Apeldoorn |
exhibition design |
| – De Twintigste Eeuw |
Keramiekmuseum Princessehof, Leeuwarden |
exhibition design |
| – Der Kleine Prinz |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater, Mannheim |
set, costume and video design |
| – Grace Kelly |
Heydar Aliyev Center, Baku |
exhibition design |
| – Sisi |
Paleis het Loo, Apeldoorn |
exhibition design |
| – Happy Birthday Mammie |
directed by Moniek Kramer, Bellevue lunch Theatre, Amsterdam |
set and costume design |
| |
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| 2014 |
|
|
| – Goldmund |
directed by Orkater/De Nieuwkomers |
set and costume design |
| – Een geschenk uit de hemel |
directed by Berg&Bos, Oeral (Terschelling) en Over het IJ (Amsterdam) |
set design |
| – The Tempest |
choreographer Krzysztof Pastor, The Dutch National Ballet Amsterdam |
costume design |
| – Grace Kelly |
Paleis Het Loo, Apeldoorn |
exhibition design |
| – Romeo & Julia |
choreographer Krzysztof Pastor, The Joffrey Ballet Chicago |
set and costume design |
| – Romeo & Julia |
choreographer Krzysztof Pastor, The Polish National Ballet Warsaw |
set and costume design |
| – Isadora Duncan |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim |
set, costume and video design |
| – Warenhuis |
directed by Peter Drost, Toneelschap Beumer & Drost Amsterdam |
set design |
| |
|
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| 2013 |
|
|
| – Der Kleine Prinz |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim |
set, costume and video design |
| – Othello |
choreographer Kevin O’Day, Kevin O’Day Ballett Nationaltheater Mannheim |
set and costume design |
| |
|
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| 2012 |
|
|
| – R.A.W. |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim |
costume design |
| – Century Rolls |
choreographer Ashley Page, The Polish National Ballet |
set, costume and video design |
| – Bolero |
choreographer Krzysztof Pastor, The Dutch National Ballet |
set and costume design |
| – 125 jaar Carré |
Bijzondere Collecties van de Universiteit van Amsterdam |
exhibition design |
| – Hamlet |
choreographer Kevin O’day, The Toronto Ballet Canada |
set, costume and video design |
| – Wie is de Nar? |
Theater Instituut, Pulchri Studio – ANNA@KV20 Den Haag |
exhibition design |
| – Rilke |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim |
set, costume and video design |
| |
|
|
| 2011 |
|
|
| – Garden of Other |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim |
set and costume design |
| |
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|
| 2010 |
|
|
| – Adem |
directed by Olivier Provily |
set and costume design |
| – A’dam, Man en Mode |
curator Annemarie den Dekker Amsterdams Historisch Museum |
exhibition design |
| – Frida |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim |
set, costume and video design |
| – De Meisjes van Mussolini |
directed by Lidwien Roothaan Orkater Theatre Orchestra |
set design |
| – Aars |
directed by Olivier Provily |
set and costume design |
| – In Light and Shadow |
choreographer Krzysztof Pastor, The Polish and The Hong Kong Ballet |
set and costume design |
| |
|
|
| 2009 |
|
|
| – Crave |
directed by Olivier Provily Amsterdam |
set and costume design |
| – Theater na Tomaat |
Amsterdams Historisch Museum en Theater Instituut Nederland |
exhibition design |
| – Ruigoord |
Amsterdams Historisch Museum |
exhibition design |
| – Woolf |
choreographer Dominique Dumais, The Dutch National Ballet |
set, costume and video design |
| – Requiem for a Rose |
choreographer Annabelle Lopez Ochoa, The Pennsylvania Ballet |
set and costume design |
| – Een Blauwe Vrijdag |
directed by Gijs de Lange, Orkater Theatre Orchestra |
set and costume design |
| – De Anderen |
written and directed by Olivier Provily |
set, costume |
| – Skin Divers |
choreographer Dominique Dumais, The National Ballet of Canada |
set, costume and video design |
| |
|
|
| 2008 |
|
|
| – Verf |
directed by Gijs de Lange Beumer & Drost |
set design |
| – Romeo and Juliet |
choreographer Krzysztof Pastor, The Scottish Ballet |
set and costume design |
| – Resonance de Chopin |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim |
set and costume design |
| – Hamlet |
choreographer Kevin O’day, The Stuttgart Ballet |
set, costume and video design |
| |
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| 2007 |
|
|
| – Cecilia |
directed by Monique Kramer, Orkater Orchestra |
set design |
| – Since |
choreographer Annabel Lopez, The Dutch National ballet |
set and costume design |
| – De Pelikaan |
directed by Olivier Provily Het Zuidelijk Toneel |
set design |
| – Symphonie Fantastique |
choreographer Krzysztof Pastor, The Australian Ballet |
set, costume and video design |
| – Bloedband |
directed by Gijs de Lange, Orkater Theatre Orchestra |
set design |
| |
|
|
| 2006 |
|
|
| – Tristan and Isolde |
choreographer Krzyzstof Pastor, The Royal Swedish Ballet |
costume design |
| – Time and Other Matter |
choreographer Dominique Dumais, The Mannheim Ballet |
set and costume design |
| – Hof van Haile |
directed by Gijs de Lange, Orkater Theatre Orchestra |
set design |
| – In Light and Shadow |
choreographer Krzysztof Pastor, Revival Scottish Ballet |
set and costume design |
| – Crossing Paths |
choreographer Krzysztof Pastor, The Dutch National Ballet |
set and costume design |
| |
|
|
| 2005 |
|
|
| – Slangenvel |
directed by Ira Judkovska, Orkater Theatre Orchestra |
set design |
| – Rijk Gekleed |
Museum Willet-Holthuysen AHM curator Annemarie den Dekker |
exhibition design |
| – Lebenslenien |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim |
set, costume and video design |
| – Skin Divers |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim |
set, costume and video design |
| – Do not Go Gentle |
choreographer Krzysztof Pastor, revival The Dutch National Ballet |
set, costume and video design |
| |
|
|
| 2004 |
|
|
| – Voice |
choreographer Krzysztof Pastor, The Dutch National Ballet |
costume design |
| – Broken Verse |
choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim |
set and costume design |
| – Ik |
directed by Gijs de Lange, Orkater Theatre Orchestra |
set design |
| |
|
|
| 2003 |
|
|
| – Skin Divers |
choreographer Dominique Dumais, The Komische Opera Berlin |
set, costume and video design |
| – In Light and Shadow |
Revival The Royal Swedish Ballet |
set and costume design |
| |
|
|
| 2000 |
|
|
| – Do not Go Gentle |
choreographer Krzysztof Pastor, The Dutch National Ballet |
set, costume and video design |
| – A Soldier’s Tale |
directed by Porgy Franssen, De Appel theater Stravinsky The Haque |
set design |
| – De Petomaan……… |
directed by Porgy Franssen, Orkater Theatre Orchestra |
set and costume design |
| – In Light and Shadow |
choreographer Kkrzysztof Pastor, The Dutch National Ballet |
set and costume design |
| – Couture Locale |
Amsterdams Historisch Museum curator Annemarie den Dekker |
exhibition design |
| – Cosi Fan Tutte |
directed by Nigel Warrington, Aarhus Opera Festival |
set, costume and video design |
| |
|
|
| 1999 |
|
|
| – Heidi |
choreographer Martino Müller, Columbus Ohio |
set and costume design |
| – Tide Lines |
choreographer Cathy Marston, Royal Ballet London |
set and costume design |
| – R.A.M |
Martino Müller, revival Gothenburg Sweden ballet |
set and costume design |
| |
|
|
| 1998 |
|
|
| – La Sylphide |
choreographer Peter Schaufuss, set Steven Scott, La Scala Milan |
costume design |
| – Loving Stone |
choreographer Martino Müller, The Gulbenkian Ballet Lisbon |
set and costume design |
| |
|
|
| 1997 |
|
|
| – Tchaikovsky Trilogy |
choreographer Peter Schaufuss Aarhus, Denmark |
costume design |
| – R.A.M |
choreographer Martino Müller, The Stuttgart Ballet |
set, costume and video design |
| – Figure in Progress |
choreographer Cathy Marston, The Royal Ballet London |
set and costume design |
| – Outside Looking In |
choreographer Martino Müller, The Deutsche Oper Berlin |
set and costume design |
| |
|
|
| 1996 |
|
|
| – Ever So Never So |
choreographer Martino Müller, Bern Stadt Theater |
set and costume design |
| – Hamlet |
choreographer Peter Schaufuss, The Royal Ballet Copenhagen |
costume design and assistant set |
| |
|
|
| 1995 |
|
|
| – Dear Life |
choreographer Martino Müller, The Donau Ballet |
set and costume design |
| – Largo |
choreographer Wies Merkx, George Tabori |
set and costume design |
| – Keer uw boot om en bid |
film by Dorothée van den Berghe VPRO |
art direction |
| – Le Jour Même |
choreographer Martino Müller, The Lyon Opera Ballet |
set and costume design |
| |
|
|
| 1992-1994 |
|
|
| – Heidi |
choreographer Martino Müller, Nederlands Dans Theater |
set and costume design |
| – Carmen |
directed by Henk Schut, The Regency Opera London |
costume design |
| – La Bohème |
directed by Henk Schut, The Regency Opera London |
costume design |
| – A Woman……. |
choreographer Martino Müller, Nederlands Dans Theater |
set and costume design |
