Education | ||
1993-1994 | Motley Theatre, Design Course under Margaret Harris and Allison Chitty | |
1989-1991 | Wimbledon School of Art, Degree in costume design | |
1988-1989 | Worthing College of Art, Theatre Design | |
Awards | ||
2007 | Greenroom Award for best design in dance for Symphonie Fantastique The Australian Ballet | |
2006 | Nominated for NRC Handelsblad publieksprijs Bloedband Orkater Theatre Orchestra | |
2004 | Nominated for NRC Handelsblad publieksprijs Ik Orkater Theatra Orchestra | |
2000 | Winner of Reumert Prix for best opera production of the year Cosi Fan Tutte Aarhus Opera | |
1999 | Winner of best dance production of the Year, R.A.M by The Stuttgart Ballet | |
1996 | Benois de la dance Award for best scenography in dance Le Jour Même Opera de Lyon | |
Projects | ||
2024 |
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– Mode jaren ‘20 | Utrecht Centraal Museum, Utrecht | exhibition design |
– 450 jaar Optochten | Museum Lakenhal, Leiden | exhibition design |
– Porseleinkoorts | Keramiekmuseum Princessehof, Leeuwarden | exhibition design |
– A Kiss to the World | choreographer Dominique Dumais, Ballett am Rhein, Düsseldorf | set and costume design |
– Opera Forward Festival | supervising students scenography AHK, Amsterdam | teaching scenography |
2023 | ||
– Full Frontal | choreographer Juanjo Arques, Het Nationale Ballet, Amsterdam | set and costume design |
– Echoes of VAN GOGH | choreographer Wubkje Kuindersma, West Australian Ballet, Perth | set and costume design |
– Bolero | choreographer Krzysztof Pastor, Rome Opera Ballet, Rome | set and costume design |
– Resonance of Dreams | choreographer Wubkje Kuindersma, Ballet Kiel | set and costume design |
– Requiem for a Rose | choreographer Annabelle Lopez Ochoa, The Royal Ballet, New Zealand | set and costume design |
– Hier zit niemand op te wachten | directed by Judith Faas, Orkater & BonteHond | concept design |
– Opera Master | Sandberg Instituut, Amsterdam | teaching, lectures scenography |
– Opera Forward Festival | supervising students scenography AHK, Amsterdam | teaching scenography |
2022 | ||
– Aida | directed by Shirin Neshat/conductor, Alain Altinoglu, Salzburger Festspiele | costume design |
– Alice im Wunderland | choreographer Dominique Dumais, Würzburg Ballet | set and costume design |
– Koninklijk Borduren | Textielmuseum, Tilburg | exhibition design |
– Anatomy of Light | choreographer Wubkje Kuindersma, Het Nationale Ballet, Amsterdam | set and costume design |
2021 | ||
– Prometheus | choreographers Wubkje Kuindersma, Ernst Meisner en Remi Wörtmeyer, HNB | set and costume design |
– Maison Amsterdam | curator Nienke Bloemberg, Nieuwe Kerk i.s.m. Amsterdam Museum, Amsterdam | exhibition design |
2020 | ||
– Bruno Taut | (De fantasie voorbij) Curator Nadia Abdelkaui, Museum Het Schip Amsterdam | exhibition design |
– Spectrum | choreographer Juanjo Arques, Ballet Deutsche Oper Am Rhein, Düsseldorf – Duisburg | set and costume design |
– In Light and Shadow | choreographer Krzysztof Pastor, West Australian Ballet, Perth | set and costume design |
– Manoeuvre | choreographer Juanjo Arques, Het Nationale Ballet | set and costume design |
– Opera Forward Festival | supervising students scenography AHK, Amsterdam | teaching scenography |
2019 | ||
– Do not Go Gentle | choreographer Krzysztof Pastor, The Polish National Ballet | set, costume and video design |
– Luco Giordano | Meesterwerken; Aartsengel Michael van Luca Giordano, Nieuwe Kerk Amsterdam | exhibition design |
– Muttersprache | choreographer Dominique Dumais, Wurzburg Ballet | set and costume design |
– Opera Forward Festival | supervising students scenography AHK, Amsterdam | teaching scenography |
– Fashion Statements | curator Marian Duff, Amsterdam Museum | exhibition design |
– Echnaton, Philp Glass | regie/choreographie Giuseppe Spota , Dortmund Opera | set and costume design |
– Ignite | choreographer Juanjo Arques, Het Nationale Ballet/Holand Festival | set and costume design |
2018 | ||
– Last Resistance | choreographer Annabelle Lopez Ochoa, Music Wende Snijders, Nationale Ballet | costume design |
– Don Giovanni | director Demis Volpi, Weimar Opera | set and costume design |
– Our Chopin | choreographer Krzysztof Pastor, The Polish National Ballet | set and costume design |
– Bluebeard’s Castle | director Kael Csaba, The Lithuanian National Opera and Ballet, Vilnius | costume design |
– The Miraculous Mandarin | choreographer Krzysztof Pastor, The Lithuanian National Opera and Ballet, Vilnius | costume design |
– Opera Forward Festival | supervising students scenography AHK, Amsterdam | teaching scenography |
– Ignite | choreographer Juanjo Arques, Birmingham Royal Ballet | set and costume design |
2017 | ||
– Verboden Porselein | Museum Prinsenhof, Delft | exhibition design |
– Aida | directed by Shirin Neshat/conducter, Ricardo Muti, Salzburger Festspiele | costume design |
– Death in Venice | choreographer Krzysztof Pastor, Lodz Opera house, Poland (canceled) | set and costume design |
– Murder on the Orient Express | choreographer Demis Volpi, Juniorballett at Ballett Dortmund | set and costume design |
– Bol & Flinck | Rembrandt meesterleerlingen, Museum Het Rembrandthuis en Amsterdam Museum | exhibition design |
2016 | ||
– Naked | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim | set and costume design |
– The Tempest | choreographer Krzysztof Pastor, The Polish National Ballet, Warsaw | costume design |
– Romeo & Julia | choreographer Krzysztof Pastor, The Joffrey Ballet, Chicago | set and costume design |
– Romeo & Julia | choreographer Krzysztof Pastor, The Lithuanian National Opera and Ballet, Vilnius | set and costume design |
– Anna Palowna | Paleis het Loo, Apeldoorn | exhibition design |
– Bolero | Choreographer Krzysztof Pastor, The Polish National Ballet, Warsaw | set and costume design |
– My desert my Rose | Choreographer Dominique Dumais, Ballet Augsburg | costume design |
2015 | ||
– Willem II | Paleis het Loo, Apeldoorn | exhibition design |
– De Twintigste Eeuw | Keramiekmuseum Princessehof, Leeuwarden | exhibition design |
– Der Kleine Prinz | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater, Mannheim | set, costume and video design |
– Grace Kelly | Heydar Aliyev Center, Baku | exhibition design |
– Sisi | Paleis het Loo, Apeldoorn | exhibition design |
– Happy Birthday Mammie | directed by Moniek Kramer, Bellevue lunch Theatre, Amsterdam | set and costume design |
2014 | ||
– Goldmund | directed by Orkater/De Nieuwkomers | set and costume design |
– Een geschenk uit de hemel | directed by Berg&Bos, Oeral (Terschelling) en Over het IJ (Amsterdam) | set design |
– The Tempest | choreographer Krzysztof Pastor, The Dutch National Ballet Amsterdam | costume design |
– Grace Kelly | Paleis Het Loo, Apeldoorn | exhibition design |
– Romeo & Julia | choreographer Krzysztof Pastor, The Joffrey Ballet Chicago | set and costume design |
– Romeo & Julia | choreographer Krzysztof Pastor, The Polish National Ballet Warsaw | set and costume design |
– Isadora Duncan | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim | set, costume and video design |
– Warenhuis | directed by Peter Drost, Toneelschap Beumer & Drost Amsterdam | set design |
2013 | ||
– Der Kleine Prinz | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim | set, costume and video design |
– Othello | choreographer Kevin O’Day, Kevin O’Day Ballett Nationaltheater Mannheim | set and costume design |
2012 | ||
– R.A.W. | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim | costume design |
– Century Rolls | choreographer Ashley Page, The Polish National Ballet | set, costume and video design |
– Bolero | choreographer Krzysztof Pastor, The Dutch National Ballet | set and costume design |
– 125 jaar Carré | Bijzondere Collecties van de Universiteit van Amsterdam | exhibition design |
– Hamlet | choreographer Kevin O’day, The Toronto Ballet Canada | set, costume and video design |
– Wie is de Nar? | Theater Instituut, Pulchri Studio – ANNA@KV20 Den Haag | exhibition design |
– Rilke | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim | set, costume and video design |
2011 | ||
– Garden of Other | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim | set and costume design |
2010 | ||
– Adem | directed by Olivier Provily | set and costume design |
– A’dam, Man en Mode | curator Annemarie den Dekker Amsterdams Historisch Museum | exhibition design |
– Frida | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim | set, costume and video design |
– De Meisjes van Mussolini | directed by Lidwien Roothaan Orkater Theatre Orchestra | set design |
– Aars | directed by Olivier Provily | set and costume design |
– In Light and Shadow | choreographer Krzysztof Pastor, The Polish and The Hong Kong Ballet | set and costume design |
2009 | ||
– Crave | directed by Olivier Provily Amsterdam | set and costume design |
– Theater na Tomaat | Amsterdams Historisch Museum en Theater Instituut Nederland | exhibition design |
– Ruigoord | Amsterdams Historisch Museum | exhibition design |
– Woolf | choreographer Dominique Dumais, The Dutch National Ballet | set, costume and video design |
– Requiem for a Rose | choreographer Annabelle Lopez Ochoa, The Pennsylvania Ballet | set and costume design |
– Een Blauwe Vrijdag | directed by Gijs de Lange, Orkater Theatre Orchestra | set and costume design |
– De Anderen | written and directed by Olivier Provily | set, costume |
– Skin Divers | choreographer Dominique Dumais, The National Ballet of Canada | set, costume and video design |
2008 | ||
– Verf | directed by Gijs de Lange Beumer & Drost | set design |
– Romeo and Juliet | choreographer Krzysztof Pastor, The Scottish Ballet | set and costume design |
– Resonance de Chopin | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim | set and costume design |
– Hamlet | choreographer Kevin O’day, The Stuttgart Ballet | set, costume and video design |
2007 | ||
– Cecilia | directed by Monique Kramer, Orkater Orchestra | set design |
– Since | choreographer Annabel Lopez, The Dutch National ballet | set and costume design |
– De Pelikaan | directed by Olivier Provily Het Zuidelijk Toneel | set design |
– Symphonie Fantastique | choreographer Krzysztof Pastor, The Australian Ballet | set, costume and video design |
– Bloedband | directed by Gijs de Lange, Orkater Theatre Orchestra | set design |
2006 | ||
– Tristan and Isolde | choreographer Krzyzstof Pastor, The Royal Swedish Ballet | costume design |
– Time and Other Matter | choreographer Dominique Dumais, The Mannheim Ballet | set and costume design |
– Hof van Haile | directed by Gijs de Lange, Orkater Theatre Orchestra | set design |
– In Light and Shadow | choreographer Krzysztof Pastor, Revival Scottish Ballet | set and costume design |
– Crossing Paths | choreographer Krzysztof Pastor, The Dutch National Ballet | set and costume design |
2005 | ||
– Slangenvel | directed by Ira Judkovska, Orkater Theatre Orchestra | set design |
– Rijk Gekleed | Museum Willet-Holthuysen AHM curator Annemarie den Dekker | exhibition design |
– Lebenslenien | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim | set, costume and video design |
– Skin Divers | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim | set, costume and video design |
– Do not Go Gentle | choreographer Krzysztof Pastor, revival The Dutch National Ballet | set, costume and video design |
2004 | ||
– Voice | choreographer Krzysztof Pastor, The Dutch National Ballet | costume design |
– Broken Verse | choreographer Dominique Dumais, Kevin O’Day Ballett Nationaltheater Mannheim | set and costume design |
– Ik | directed by Gijs de Lange, Orkater Theatre Orchestra | set design |
2003 | ||
– Skin Divers | choreographer Dominique Dumais, The Komische Opera Berlin | set, costume and video design |
– In Light and Shadow | Revival The Royal Swedish Ballet | set and costume design |
2000 | ||
– Do not Go Gentle | choreographer Krzysztof Pastor, The Dutch National Ballet | set, costume and video design |
– A Soldier’s Tale | directed by Porgy Franssen, De Appel theater Stravinsky The Haque | set design |
– De Petomaan……… | directed by Porgy Franssen, Orkater Theatre Orchestra | set and costume design |
– In Light and Shadow | choreographer Kkrzysztof Pastor, The Dutch National Ballet | set and costume design |
– Couture Locale | Amsterdams Historisch Museum curator Annemarie den Dekker | exhibition design |
– Cosi Fan Tutte | directed by Nigel Warrington, Aarhus Opera Festival | set, costume and video design |
1999 | ||
– Heidi | choreographer Martino Müller, Columbus Ohio | set and costume design |
– Tide Lines | choreographer Cathy Marston, Royal Ballet London | set and costume design |
– R.A.M | Martino Müller, revival Gothenburg Sweden ballet | set and costume design |
1998 | ||
– La Sylphide | choreographer Peter Schaufuss, set Steven Scott, La Scala Milan | costume design |
– Loving Stone | choreographer Martino Müller, The Gulbenkian Ballet Lisbon | set and costume design |
1997 | ||
– Tchaikovsky Trilogy | choreographer Peter Schaufuss Aarhus, Denmark | costume design |
– R.A.M | choreographer Martino Müller, The Stuttgart Ballet | set, costume and video design |
– Figure in Progress | choreographer Cathy Marston, The Royal Ballet London | set and costume design |
– Outside Looking In | choreographer Martino Müller, The Deutsche Oper Berlin | set and costume design |
1996 | ||
– Ever So Never So | choreographer Martino Müller, Bern Stadt Theater | set and costume design |
– Hamlet | choreographer Peter Schaufuss, The Royal Ballet Copenhagen | costume design and assistant set |
1995 | ||
– Dear Life | choreographer Martino Müller, The Donau Ballet | set and costume design |
– Largo | choreographer Wies Merkx, George Tabori | set and costume design |
– Keer uw boot om en bid | film by Dorothée van den Berghe VPRO | art direction |
– Le Jour Même | choreographer Martino Müller, The Lyon Opera Ballet | set and costume design |
1992-1994 | ||
– Heidi | choreographer Martino Müller, Nederlands Dans Theater | set and costume design |
– Carmen | directed by Henk Schut, The Regency Opera London | costume design |
– La Bohème | directed by Henk Schut, The Regency Opera London | costume design |
– A Woman……. | choreographer Martino Müller, Nederlands Dans Theater | set and costume design |